The osteological collection of the Montane Anthropological Museum in the capital stands out today among the first digital exhibition by a team of specialists from the United Kingdom, Spain and Cuba.

Amadeo Roldán was the initiator of modern symphonic art in Cuba, the first Cuban musician to incorporate Afro-Cuban instruments, not as simple accompaniment, but as a leading and constructive element of the musical work.

He soon became an exponent of reformist ideas. From the Economic Society of Friends of the Country, he advocated public instruction and the increase of schools; he considered that the educational establishments were incapable of forming men of that time because they had clerical and scholastic ideas.

Guillén was only able to arrive in Cuba twenty-two days after the revolutionary triumph of January 1st, 1959, amidst the joy that the Cuban people experienced in the founding days, overwhelmed by the immense reality that opened up before his eyes and which he had already dreamed of in his verses.

Cuba’s National Center of Art Schools highlighted on Monday the triumph of the student Yasiel Hodelin in the 7th International Online Ballet Competition of South Africa (SAIBC).

The social sciences in Cuba owe an important part of their prestige to the investigative work of Fernando Ortiz, who is considered the third discoverer of the island to celebrate 139 years of his birth this Thursday.

The National Ballet of Cuba, declared a Cultural Heritage of the Nation, resumed its usual work, directed by Viengsay Valdés, after a long period of recess due to the COVID-19 pandemic.

The exhibition of black-and-white photographs, entitled Heroes of Silence, was organized in collaboration with the Piedmont Region, the Municipality of Turin, the Agency for Cultural and Economic Exchange with Cuba and the CRT Foundation (Cassa di Risparmio di Torino).