{"id":4609,"date":"2025-12-14T08:25:40","date_gmt":"2025-12-14T12:25:40","guid":{"rendered":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/?p=4609"},"modified":"2025-12-15T12:35:38","modified_gmt":"2025-12-15T16:35:38","slug":"liuba-maria-hevia-a-song-for-childhood","status":"publish","type":"post","link":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/liuba-maria-hevia-a-song-for-childhood-14122025\/","title":{"rendered":"Liuba Mar\u00eda Hevia: A Song for Childhood"},"content":{"rendered":"<p>For Liuba Mar\u00eda Hevia, the emigrant grandfather and the child singing in the neighborhood are threads in the same song\u2014one that draws no boundary between tenderness and commitment, between art and heart.<\/p>\n<p>Cuban trova\u2014the movement whose profound voice was defined by Silvio Rodr\u00edguez and Pablo Milan\u00e9s\u2014counts Liuba Mar\u00eda Hevia among its most genuine and indispensable heirs. A composer, trovadora, and singer par excellence, Hevia has crafted a career that goes beyond mere musical success, establishing herself as a cornerstone of Cuban children\u2019s culture. Her poetic and socially engaged work not only entertains new generations but also educates, embraces, and preserves the island\u2019s identity with rare sensitivity.<\/p>\n<p>From the outset, her journey was shaped by two lineages: the trovador tradition and a deep-rooted sense of social purpose. Since 1982, she has been part of the Nueva Trova movement, absorbing lessons from its founders before forging her own path\u2014where guajiras, boleros, sones, and habaneras blend into a universal language.<\/p>\n<p>Hevia\u2019s artistry is distinguished by meticulous lyricism and a constant exploration of Cuba\u2019s musical roots. With more than twenty albums, her body of work is an ongoing dialogue between singer-songwriter craftsmanship and the soul of the people. Her song <strong>Con los hilos de la luna<\/strong> (popularly known as <strong>El abuelo<\/strong>), dedicated to her Asturian grandfather, has become an anthem of migration and enduring family bonds.<\/p>\n<figure id=\"attachment_4611\" aria-describedby=\"caption-attachment-4611\" style=\"width: 1920px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4611 size-full\" src=\"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-content\/uploads\/2025\/12\/unicef-liuba.webp\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-content\/uploads\/2025\/12\/unicef-liuba.webp 1920w, https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-content\/uploads\/2025\/12\/unicef-liuba-300x200.webp 300w, https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-content\/uploads\/2025\/12\/unicef-liuba-1024x683.webp 1024w, https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-content\/uploads\/2025\/12\/unicef-liuba-768x512.webp 768w, https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-content\/uploads\/2025\/12\/unicef-liuba-1536x1024.webp 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption id=\"caption-attachment-4611\" class=\"wp-caption-text\">Photo: UNICEF<\/figcaption><\/figure>\n<p>Her contributions have been recognized with some of the nation\u2019s highest cultural honors, including the Distinci\u00f3n por la Cultura Nacional, awarded at age 31, and the Alejo Carpentier Medal. Perhaps her most socially significant honor came in 2012, when UNICEF named her a Goodwill Ambassador\u2014recognizing her decades of dedicated work with children, both in grand theaters and in neighborhoods and hospitals throughout Cuba.<\/p>\n<p>Yet, if there is one arena where Liuba Mar\u00eda Hevia\u2019s mark is indelible, it is in children\u2019s music. She never condescends; she regards her young audiences with the same respect and depth as her adult listeners. This ethos crystallized in her landmark children\u2019s album, Traves\u00eda M\u00e1gica, now in its tenth edition\u2014a testament to its popularity and staying power.<\/p>\n<p>Hevia has also served as a crucial bridge for the work of poet and trovadora Ada Elba P\u00e9rez (1961\u20131992), rescuing and interpreting her children\u2019s compositions for new generations. Her repertoire includes thoughtfully crafted versions of classic Hispanic American children\u2019s songs, resulting in a collection both entertaining and formative. But what sets Hevia\u2019s work with children apart is her radical commitment to the community. Her artistic life extends beyond recording and touring; she is deeply woven into Cuba\u2019s social fabric.<\/p>\n<p>This vocation has aligned Hevia with other significant community cultural projects in Cuba, such as Saltapalabra in Guant\u00e1namo\u2014an event championing oral storytelling and Cuban identity\u2014and Havana\u2019s Grupo de Teatro Olga Alonso, recognized for its neighborhood-based cultural work.<\/p>\n<p>Her dedication has led her to active participation in initiatives fusing art with social engagement, like the Jornada de la Canci\u00f3n Pol\u00edtica in Guant\u00e1namo, a 44-year-old project where trovadores honor revolution martyrs. Its 2020 edition spotlighted women in trova, with Hevia as a prominent guest.<\/p>\n<p>Hevia belongs to a lineage of women artists for whom creation is a space of expression and transformation. Her work resonates with the often-underrepresented history of women creators in Cuba and Latin America\u2014a legacy under increasing scholarly spotlight.<\/p>\n<p>Her artistic stature has facilitated collaborations with some of Ibero-America\u2019s greatest musicians. On the album <strong>Vidas paralelas<\/strong>, she shared credits with Omara Portuondo, Ana Bel\u00e9n, Danny Rivera, Carlos Varela, and others; while <strong>Para volverte a ver<\/strong> continues her exploration of poetry and melody in song.<\/p>\n<p>Hevia\u2019s influence in Cuban children\u2019s music extends beyond individual songs\u2014it is a pedagogy of affection. Singing to and with children from a place of authenticity and simplicity, she presents her musical heritage with the warmth of a storyteller and the authority of a teacher. In a world where childhood is increasingly shaped by screens and fleeting content, Hevia\u2019s art endures as a bastion of artistic quality and human warmth.<\/p>\n<p>As a UNICEF Goodwill Ambassador, her voice carries a message of rights, care, and hope. With every hospital concert and neighborhood workshop, Liuba Mar\u00eda Hevia is weaving a more harmonious future for Cuba\u2014using the threads of her own personal moon. Her music for children is not a footnote in her career; it is the very heart of her creative and ethical vision: the conviction that a song, honest and beautiful, can be a child\u2019s first and most lasting homeland.<\/p>\n<p>Translated by Luis E. Amador Dominguez<\/p>\n<p>Photo: Liuba Mar\u00eda Hevia \/ YouTube<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hevia\u2019s artistry is distinguished by meticulous lyricism and a constant exploration of Cuba\u2019s musical roots. <\/p>\n","protected":false},"author":1,"featured_media":4610,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1058,1059],"ppma_author":[14],"class_list":["post-4609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-specials","tag-liuba-maria-hevia","tag-unicef"],"authors":[{"term_id":14,"user_id":0,"is_guest":1,"slug":"lazaro-hernandez-rey","display_name":"L\u00e1zaro Hern\u00e1ndez Rey","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","0":null,"1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/posts\/4609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/comments?post=4609"}],"version-history":[{"count":1,"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/posts\/4609\/revisions"}],"predecessor-version":[{"id":4612,"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/posts\/4609\/revisions\/4612"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/media\/4610"}],"wp:attachment":[{"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/media?parent=4609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/categories?post=4609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/tags?post=4609"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.radioenciclopedia.cu\/cultural-news\/wp-json\/wp\/v2\/ppma_author?post=4609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}